Writer's voice is a literary term used to describe the individual writing style of an author. Voice is a combination of a writer's use of syntax, diction, punctuation, character development, dialogue, etc., within a given body of text (or across several works). Voice can also be referred to as the specific fingerprint of an author, as every author has a different writing style.
In creative writing, students are often encouraged to experiment with different literary styles and techniques in order to help them better develop their "voice." Voice varies with the individual author, but, particularly in American culture, having a strong voice is considered positive and beneficial to both the writer and his or her audience.
Author
An author is any person(s) or entity(s) that originates and assumes responsibility for an expression or communication. Authors should be responsible for acknowledging contributors.
Syntax
the study of the rules that govern the structure of sentences, and which determine their relative grammaticality. The term syntax can also be used to refer to these rules themselves, as in "the syntax of a language". Modern research in syntax attempts to describe languages in terms of such rules, and, for many practitioners, to find general rules that apply to all languages. Since the field of syntax attempts to explain grammaticality judgments, and not provide them, it is unconcerned with linguistic prescription.
Diction, in its original, primary meaning, refers to the writer's or the speaker's distinctive vocabulary choices and style of expression. A secondary, common meaning of "diction" is better, and more precisely, expressed with the word enunciation — the art of speaking clearly so that each word is clearly heard. This secondary sense concerns pronunciation and tone, rather than word choice and style.
Diction
Diction has multiple concerns; register — words being either formal or informal in social context — is foremost. Literary diction analysis reveals how a passage establishes tone and characterization, e.g. a preponderance of verbs relating physical movement suggests an active character, while a preponderance of verbs relating states of mind portrays an introspective character. Diction also has an impact upon word choice and syntax.
Punctuation
Punctuation is everything in written language other than the actual letters or numbers, including punctuation marks (listed at right), inter-word spaces, capitalization, and indentation.[1
Characterization
Characterization is the process of conveying information about characters in fiction. Characters are usually presented through their actions, dialect, and thoughts, as well as by description. Characterization can regard a variety of aspects of a character, such as appearance, age, gender, educational level, vocation or occupation, financial status, marital status, social status, cultural background, hobbies, sexual orientation, religious beliefs, ambitions, motivations, personality, etc.
Dialogue
Dialogue in a piece of writing such as a short story or a novel should have a purpose.
Break up narrative — The writer can use dialogue to balance out the other elements of fiction such as description.
Advance the plot — What characters discuss can ultimately change the course of the story.
Develop conflict — Arguing characters creates conflict; dialogue can also build tension.
Present information — Dialogue can be used as an alternative to exposition; instead of being fed dry facts, the reader will enjoy learning the background of the story.
Develop character — Dialogue can reveal the personality, age, intelligence and experience of a character.
Word Choice
In literature and storytelling, a point of view is the related experience of the narrator — not that of the author. Authors rarely, in fiction, insert or inject their own voice, as this challenges the suspension of disbelief. Texts encourage the reader to identify with the narrator, not with the author.
Structure is the way various things are constructed along with the manner of construction of the thing under consideration, and the arrangement of its parts. A structure can be a complex entity with many parts
In literature, a theme is a broad idea in a story, or a message or lesson conveyed by a work. This message is usually about life, society or human nature. Themes are the fundamental and often universal ideas explored in a literary work. Themes are usually implied rather than explicitly stated. Deep thematic content is not required in literature; however, some readers would say that all stories inherently project some kind of outlook on life that can be taken as a theme, regardless of whether or not this is the intent of the author. Analysis of changes in dynamic characters can provide insight into a particular theme.
Authors set a tone in literature by conveying an emotion/feeling or emotions/feelings through words. The way a person feels about an idea/concept, event, or another person can be quickly determined through facial expressions, gestures and in the tone of voice used. In literature an author sets the tone through words. The possible tones are bounded only by the number of possible emotions a human being can have.
Symbolism is the applied use of symbols: iconic representations that carry particular conventional meanings.
The term "symbolism" is often limited to use in contrast to "representationalism"; defining the general directions of a linear spectrum-wherein all symbolic concepts can be viewed in relation, and where changes in context may imply systemic changes to individual and collective definitions of symbols. "Symbolism" may refer to a way of choosing representative symbols in line with abstract rather than literal properties, allowing for the broader interpretation of a carried meaning than more literal concept-representations allow. A religion can be described as a language of concepts related to human spirituality. Symbolism hence is an important aspect of most religions.
